Aside

💩👈

👁👀🗒           👁👀⌨️           👁👀📱

🗒⌨️📱🕳       🔊🔉🔈🔇       🗑

😔🙁😒😠      🖕👊👈

🌳🌳🌳🍂🔄

🌊🌊🌊🌬↪️ 

💣💣💣⬇️💥⤴️

❔👍👊💪         🛬🏢🏢🗽

🗿🕳🕳🗽        🗽🏦❌⚜

✍️😭👑📚❌♻️💩😭👑📚☑️👇💩➕

💩👈                🌐🤑🌍👨‍👩‍👧‍👦👨‍👩‍👦‍👦👨‍👩‍👧‍👧🗜                  ✊♻️

☝️🖕📊📚👐 

✋💩💰🕸🎓⛓✍️📗🌐🔦♻️🔮

this shit

i look page                     i look keys               i look screen

are  empty                     going silent              emptied

castdown but                no       fuck                fuck this shit

forest drops                around you

oceans storm              into you

bombs                          fall and blow up         you

whats more oppressive                                   terrorintheair in our city

or monumentsofempty in our city where my towers arent gilded

writing gushing princess stories wont change shit they are shit and

this shit systemofgreed intheworld vicing us wants changing

and fuck publishers anyway

resist turdytawdryweboftaughtchains write nextstorysystem find renewthefuture

b3c41365ac7c65ceaf01eb1637327898

 

Aside

episodic repetitivity.

the totalised disappearance (death) in your mind of what is far from you, temporally and spatially, is forming the basis of the whole of my thinking right now.

a poesis of related epiphanies has been striking me with a kind of episodic repetitivity:

(1) the poem and the art object are beautiful because they are a kind of material crystallisation of the ineluctable yet intangible forces that seem to govern us — death (death of god; hard gem-like flame under the sentence of death eternal; the absurd man facing the totality of the universe and laughing), language, (the gwistic turn and the ism that informed it), and time.

(2) poems — mapped by metric — uniquely crystallise time, bringing eternity into moments, or bringing the mother-tongue into time, or bringing times and spaces together as if the whole four-dimensional universe were the crumpled snotty handkerchief up your granny’s sleeve.

(3) the problem of time and the place of my self in it — exacerbated and intensified when in moments of crystalline genesic fixation i am mentally entirely elsewhere to my present time, or when in simple mental recollection i am flung beyond my present to a sense of another time (provoked by a smell, the memory of a place, a conversation, the recognition or reconstruction of some kind of patterned recirculation, episodic repetitivity) — and the fact that in those moments i am forced to acknowledge the entirely wrong temporally stable identity i had constructed for myself in re-membering the real difference of that person to the person i say is me.

(4) i am struck in these moments by a sense of the profoundly episodic repetitivity of memory, yes, but also of the dark astral difference of my isolated selves in their singularity in dislocated time: how can they all be me?

A1D9b

Aside

peter lanyon i never knew u.

a phenomenal blast                                                    this roar of heat that makes you
a hot-air intensity                                                       stagger backwards emanates
akin to the puff of dry                                                from sickly sewery rising vapours
ventilated thermal greeting                                      from a massive hospital chimney
that meets you when you                                          over an inferno of shit but
walk into a department store                                   you rise glide up with it

ae61ead26d5a806cac50f9fec341e9b6